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Title: But Is It Art?: An Introduction to Art Theory
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Manufacturer: Oxford University Press, USA
List Price: $14.95
Our Price: $8.38
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| But Is It Art?: An Introduction to Art Theory by Oxford University Press, USA Good introduction to the subject | | It may not be as complex as some readers are looking for, but it is an excellent place to start when contemplating "Why is THAT art?" You won't get bogged down trying to decipher lots of theory, but you will get some of the art history and the theory that is necessary to understand where the art world is today and what made it that way. Just the right amount of color plates and black & white illustrations to help those unfamiliar with the works mentioned. | | But Is It Art?: An Introduction to Art Theory by Oxford University Press, USA Simplistic Introduction | The author has tacked an immense subject and skims the surface by discussing some of the many different theories of art. Her desire to keep the discussion straightforward and brief results in sometimes heavy-handed simplification (to the point of dumbing down) the ideas she discusses, but the book is still a useful introduction to thinking about art.
I found myself disappointed with the book in a number of ways, and I'll discuss a couple of them here. First, the author has discussed theory by means of examples, and her choices of artists like Goya and Bacon work well, but some of her other choices (Damien Hirst and Bill Viola, for example) give the book a somewhat dated feel. A second, more significant disappointment, is the author's discussion of museums. A number of her comments seem uninformed and (in one case regarding the Getty) even snarky. The tone of her writing undermined her discussion of important questions such as how museums should balance the goal of showing worthwhile works with the goal of showing works by a representative group of artists. There is a lot of real-world compromise required to get lenders and donors on board so that exhibitions happen, and lenders, donors and exhibition organizers are, in fact, wrestling with these issues daily.
Overall, the book was a good introduction to a number of theories about art, and perhaps it would work as one of the texts to be used in a high school or college survey class. However, anyone with a serious interest in art will be left wanting something more satisfying on a number of levels. | | But Is It Art?: An Introduction to Art Theory by Oxford University Press, USA What about nobrow art? | | On the subject of art (or should it be Art?): Freeland's book is a good and relevant treatment of the issue, low of jargon and high on no nonsense sociology. I was surprised, however, to see no treatment of the historical rise of "nobrow" artistic culture and no philosophical and socio-aesthetic analysis of the phenomenon. In general there was almost no analysis of literature/literary fiction. C'mon, art is not equivalent to the visual culture. Let me just say that this astonishing gap is filled by a magnificent book by Peter Swirski 'From lowbrow to nobrow' which I heartily recommend to those who finished 'But is is art' feeling only partly sated. | | But Is It Art?: An Introduction to Art Theory by Oxford University Press, USA But is it Art? | | The book was delivered in a timely manner. I needed it for a class-it was concise though a little boring unless it's your field. | | But Is It Art?: An Introduction to Art Theory by Oxford University Press, USA Good | | I had to buy this book for class. It's actually a good book. I'm glad I bought it. | | But Is It Art?: An Introduction to Art Theory by Oxford University Press, USA Product Description | From Andy Warhol's Brillo boxes to provocative dung-splattered madonnas, in today's art world many strange, even shocking, things are put on display. This often leads exasperated viewers to exclaim--is this really art?
In this invaluable primer on aesthetics, Freeland explains why innovation and controversy are so highly valued in art, weaving together philosophy and art theory with many engrossing examples. Writing clearly and perceptively, she explores the cultural meanings of art in different contexts,
and highlights the continuities of tradition that stretch from modern, often sensational, works back to the ancient halls of the Parthenon, to the medieval cathedral of Chartres, and to African nkisi nkondi fetish statues. She explores the difficulties of interpretation, examines recent scientific
research into the ways the brain perceives art, and looks to the still-emerging worlds of art on the web, video art, art museum CD-ROMS, and much more. She also guides us through the various theorists of art, from Aristotle and Kant to Baudrillard. Throughout this nuanced account of theories,
artists, and works, Freeland provides us with a rich understanding of how cultural significance is captured in a physical medium, and why challenging our perceptions is, and always has been, central to the whole endeavor.
It is instructive to recall that Henri Matisse himself was originally derided as a "wild beast." To horrified critics, his bold colors and distorted forms were outrageous. A century later, what was once shocking is now considered beautiful. And that, writes Freeland, is art. |
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