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Title: Frank Zappa: The Negative Dialectics of Poodle Play
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Manufacturer: St Martins Pr
List Price: $27.50
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| Frank Zappa: The Negative Dialectics of Poodle Play by St Martins Pr Dense, with an Unhealthy Dose of Ego | This is the "tweezed" 2005 update to the original 1998 publication. It comes with the addition of a section on 1998-2005 releases, called "Posthumous Existence."
This book is a very serious, crowded work of Zappa deconstruction and analysis, definitely not for someone looking for an introduction into the Zappa cosmology. Watson certainly knows his stuff, whether it comes to the music, its construct and content, band membership, the history and context, but his overwrought analysis, increasingly haughty tone, and his curt dismissal of virtually all other Zappa writers and historians comes off as nothing but intolerant ego.
I got this book as a work-up to Watson's Negative Dialectics of Poodle Play. Being a solid FZ fan and prophet for a good 30 years now, I'm just a few releases short of the complete library, and have been reading up. And in reading about FZ, you can't miss the references to the massive, intimidating Ben Watson magnum opus, his Mother of all Zappa biographies/interpretations. At the same time, while these references make it clear that it's no Ulysses, one has to have a certain level of background and knowledge of FZ's work and larger issues of music and its criticism to be able to access it. This was my seventh Frank Zappa book, having read the FZ/Occhiogrosso autobiography, and the Walley, Courier, Kostelanetz, James and Lowe works. I figured I was ready to get into Watson, at least at the introductory level. But, reading this book has changed my plans; I don't think I'll be reading Negative Dialectics.
Watson comes across in this book as the worst kind of expert, the one who has complete command of the facts, never lets you forget it, and then heaps condescending scorn on every single aspect of your outlook which does not conform perfectly to his own interpretation. You get that with his snide comments on "peanut-brained `hardcore [FZ] fans'" and almost universal condemnation of authors of other FZ books, sarcastically deriding their works. I got the feeling from reading this book that the two of us would not get along, despite the fact we're both lifelong Zappa fans.
Watson's increasingly frequent references to himself and his work at first were quirky, but by the end of this short little book were just plain intrusive and egotistical. His first mention uses the journalistic third-person convention ("The author observed..."), but as the book progresses it's more and more "I," "my" and "me," with extended first-person narrative on his actions. We get more than enough references by Watson to what he wants us to know is his personally defining 1993 meeting with FZ, talks with Gail, and meetings with others in the inner circle, right down to Frank playing Watson selections from "Civilization Phaze III," in Frank's living room of course. For a book with such a high gloss of academic rigor and discipline, this increasingly frequent first-person intrusion seems a desperate and needy attempt at legitimation.
As for the density of this work, it seems Watson is over-qualified to write a guide like this. His wide-ranging, reference-rich approach and his analytical touchstones are so esoteric and academic that they're going to leave most readers weary, if not totally lost. This book has Marxism, feminism, Kafka, Plato, Samuel Beckett, Shakespeare, Goethe, the vilification of "the `political correctness' that expresses the condescension of the rich and powerful," and the loneliness of pornography, among many, many other issues, concepts, persons, movements and philosophies. I mean, seriously: "Zappa's confrontation of accident and rigour bears comparison to John Cage and Jackson Pollock and their fascination with `chance.' However, although the neo-Dadaists of Fluxus liked to say they were demolishing `high art' values, the discourse that surrounded them elevated them to a plane Zappa could not aspire to." Wut?
Early on, it's pretty clear Ryko has been involved in the preparation and/or publication of this book. Watson gives clear thanks to Ryko for its decision to re-release the entire FZ catalog. And whaddaya know, all of the Rykodisk catalog numbers are listed, but all we get for the original vinyl releases is a date. For a "complete guide," this deliberate lack of release detail is unforgivable, and smells to me as coming strictly from commercial. Go to the Billy James book for a more comprehensive discography. (The James book also is better on appendices on band members and concerts, although restricted to the MOI years.)
Layout: Major sections are the introduction, "The Verve Years," "The Bizarre Years," "Discreet," "Warner Brothers versus Laether," "The CBS Years," "'Classical' Projects," " Barking Pumpkin," "Digging the Archive," "The Final Masterpiece," (that's "Civilization Phaze III") and "Posthumous Existence." Each FZ release gets its own write-up. There are no individual write-ups for each track, although certain tracks do get extensive coverage within the album descriptions/deconstructions. There's also a very interesting and helpful appendix on which Zappa recordings are most treasured and rare.
The index is a track index only. If you're looking for specific references to your favorite track, you can find it easily. But, with all of the places, studios, personnel and musicians and academic references noted here, a comprehensive index would be extremely helpful. Note to editor: upgrade the index in the next issue.
I also note for this book, as I did for the Steely Dan guide, that the print is too small. Note to editor: up-size the print for the next edition.
Bottom line: If you're new to the world of Frank Zappa, the MOI and conceptual continuity, and are looking for a book that'll give you clear background on and observation of Frank and his music, don't choose this one. This book is written from the point of view of total familiarity with FZ and all of his music, words, performances, etc. This overly dense and distractingly author-centered work is not an entry-level book on FZ; read the FZ/Ochiogrosso book, the word from the original hungry freak. | | Frank Zappa: The Negative Dialectics of Poodle Play by St Martins Pr Sure he'll like if we ever get it. | We ordered Nov. 21 and while there were holidays, I think they've had enough time to get up the bedside CD player we had to cancell, as missed everything.
Course he'll take this book, least he can read without the CD Player.
If THAT comes in? | | Frank Zappa: The Negative Dialectics of Poodle Play by St Martins Pr Lotsa good info; infantile politics | | Slipped between the pointless neo marxist claptrap (uh memo to Comrade Watson - unemployment went DOWN in the 80's, significantly)and some eyebrow raising analysis is lotsa good info about Zappa and his work. Watson knows his stuff. Everything is covered here thru about 2005. Would've liked SOME objectivity ("Just another band from LA" does in fact suck). Good buy for Zappa fans; purchase with Horowitz's "Radical Son" for insight on how to overcome childish political delusions. | | Frank Zappa: The Negative Dialectics of Poodle Play by St Martins Pr FZ by Ben watson | | very helpful to old and new fans of frank. the book made me reconsider and relisten to some albums again. fans... hold on to your original album copy of "Ruban & the jets" the CD is remixed??? a short handy guide. thank you ben watson. | | Frank Zappa: The Negative Dialectics of Poodle Play by St Martins Pr I liked it !!! | First, I was profoundly struck by Watson' critique of Feminist Theory within Zappa's work. I never read such an analysis and found it refreshing. I saw Zappa much more of a deep thinker and an intellectual giant. Second, some of Watson's later analysis of Zappa's work seemed to be pushing the envelop to absurdity.
Currently, there seems to be no formal label for Watson's brand of humor. Bowman came to the conclusion that Watson's work can best be described as hyperbolic or benign fabrications - descriptive terms that were derived from the work of Erving Goffman. Essentially, through a series of intellectual gyration, Watson takes classical literature (throughout the ages) and draws parallels with Zappa's work. | | Frank Zappa: The Negative Dialectics of Poodle Play by St Martins Pr Product Description | | The indispensable consumers' guide to the music of Frank Zappa - the genius of the absurd, and one of the most prolific and unpredictable characters of 20th century music. A thorough analysis of Zappa's complete recorded output, from the early days of the Mothers Of Invention, through his more avant-garde compositions to his most recent posthumous releases. The guide features: An album by album analysis A full Zappa bibliography Details of when and where the music was recorded, including all collaborating artists A special section concerning compilation, archive and bootleg releases Sixteen pages of full-colour images | | Frank Zappa: The Negative Dialectics of Poodle Play by St Martins Pr Amazon.com | | There is probably no figure of modern popular music who so deserves the sort of scholarly exercise undertaken by Ben Watson in this book, and I am personally convinced that Zappa will be regaled by 21st Century music historians as a "crux of the biscuit" of 20th Century music. And this 700 page tome will certainly be cited by our music historian descendants. In fairness, it may confound today's Zappa fans with it's copious references to Adorno, Freud, and Marx, but is likely to delight the erudite with its excerpts of the playfully situationist lyrics of Zappa, completely deconstructed by Watson. There is no doubt that Zappa was a genius--albeit a peculiarly American sort--and there is no doubt that no book has yet attempted such a thorough (albeit peculiar) analysis of his genius. Highly Recommended. |
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